From 'Cleopatra,' a thesis production directed by alumna Liz Peterson ‘23 © Carol Rosegg.
From DMZ Colony to Phantom Pain Wings: An Evening with Kim Hyesoon and Don Mee Choi © Joel Jares.
The Katharina Otto-Bernstein Screening Room © David Dini.
Class of 2024 MFA Thesis Exhibition, artwork by Steven Stallings Cárdenas '24 and Erica Enriquez '24 © Joel Jares.
Still from 'Something Between Us,' directed by alum Prash Sampathkumaran ‘24 and presented at the 2024 Columbia University Film Festival.
Columbia University School of the Arts is proud to present We be the luminous blues… by acclaimed artist, alum, and Assistant Professor Adama Delphine Fawundu '18.
Carlos Barragán '24 discusses his astonishing work of immersion journalism about four young romance scammers in Lagos, Nigeria, exploring how and why they scam, and the moral dilemmas they face, with Wendy S. Walters, Associate Professor, Writing.
For over 500 years, Venezuela's Araya peninsula has been mined for its salt by hand. Benacerraf's poetic documentary captures three families of salineros across the arid marshes. Shot in black and white, Araya captures a labor and trade preserved since salt was traded like gold, continuing as an embattled way of life on the peninsula. Lenfest is excited to share this film in 35mm.
Acclaimed Brooklyn-based multidisciplinary artist Derrick Adams '03 presents his work that celebrates and expands the dialogue around contemporary Black life and culture through scenes of normalcy and perseverance. Response by David Antonio Cruz, Assistant Professor, Visual Arts. Introduced by Kellie Jones, Hans Hofmann Professor of Modern Art, Art History and Archaeology.
Chile, Obstinate Memory (1997) and Post-Screening Conversation. Due to the passing of Chilean exile director Patricio Guzmán Tuesday, September 15, in Paris, Columbia University will be honoring the monumental legacy of one of the world’s foremost documentary filmmakers.
A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance. Screening of this stirring documentary followed by a conversation between filmmakers David Greaves and Liani Greaves and Racquel Gates, Associate Professor, Film and Media Studies.
Columbia University School of the Arts presents The Crucible, a directing thesis production by student Harry George Brook and written by Arthur Miller.
Hundreds of years in the future, ten-year-old Arco sneaks off in his sister's rainbow time-traveling suit before he's old enough to fly—and crash-lands back in the year 2075. There, he befriends Iris and her robot caretaker, Mikki. Together, they set off on a quest to get Arco home and to save Iris’s world from peril.
