International Play Reading Festival: Playwright Panel Discussion
International Playwrights Raeda Taha (Palestine), Rinat Tashimov (Russian), and N. Riantiarno (Indonesia) in conversation with Columbia University School of the Arts International Play Reading Festival Director David Henry Hwang, Theatre.
International Play Reading Festival: Translator Panel Discussion
In this brief conversation, Bela Shayevich (translator of Shaitan Lake by Rinat Tashimov), Cobina Gillitt (Indonesian theater translator and dramaturg), and Mais Taha (who oversees the translation of Raeda Taha’s plays) will speak about the challenges of bringing each of the Festival’s three plays into English.
International Play Reading Festival: Where Can I Find Someone Like You, Ali?
By Raeda Taha (Palestine)
Translated from Arabic by Fayez Kanafani and Ismail Khalidi
International Play Reading Festival: Shaitan Lake
By Rinat Tashimov (Russia)
Translated from Russian by Bela Shayevich
Directed by Brian Kulick, Theatre
International Play Reading Festival: Time Bomb
By N. Riantiarno (Indonesia)
Translated from Indonesian by Barbara Hatley
Directed by Ed Sylvanus Iskandar
Woman in Language: A Conversation Curated by Leslie Ayvazian
About how we prevail despite the language we grew up with, that surrounds us, that has been integrated into the conversations with our selves.
New Plays Festival: River Rouge
River Rouge tells the story of the year that followed in a dizzying collage-inspired style mixing vaudeville, docudrama, folk music, protest theatre, and magical realism. It asks a question as relevant today as it was in 1932: how can we use art to remake the world?
New Plays Festival: The Outposters
As a group of friends approach adulthood, three love stories unfold in a small apartment in Washington Heights.
Directing Thesis: Richard III
The sport of Kings is a contest of fair and foul play. Richard, the underdog, is spurned at court for his physical condition but eyes the crown with bloody determination. No bond is too sacred to betray as he manipulates his way to glory.
Kit Noir Film Festival: Scarlet Street
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: Phantom Lady, Followed by a Lecture by Thomas Elsaesser
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: The Suspect
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: Murder, My Sweet
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: The Lodger
This screening is part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: Paul Schrader in Conversation with Annette Insdorf
Paul Schrader in Conversation with Annette Insdorf
Kit Noir Film Festival: Laura
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Kit Noir Film Festival: Double Indemnity
This screening was part of The Inaugural Dr. Saul and Dorothy Kit Film Noir Festival–The Stuff That Dreams Are Made Of: Paris 1946 and American Film Noir
Directing Thesis: Don Juan Comes Back From the War
By Ödön von Horváth
in a new version by Duncan MacMillan
Directed by Kim Kerfoot '18
More Than a Manifesto: The Poet’s Essay
Poetry Symposium featuring Ken Chen, Anaïs Duplan, Ariel Goldberg, Myung Mi Kim, Wayne Koestenbaum, Tracie Morris, Raquel Salas Rivera, Brandon Shimoda, and Cecilia Vicuña. Keynote address by Fred Moten, NYU.
Directing Thesis: The Escape; Or, a Leap for Freedom
By William Wells Brown
Directed by Mark H. '18
Directing Thesis: Broken April
Directing Thesis production of ‘Broken April’ directed by Arthur Makaryan. Based on the novel by Ismail Kadare and adapted by Ned Moore.